I’ve heard my share of praise and criticism about the Christian Fiction genre since I started reading ChristFic novels over twenty years ago. Sometimes I disagree with what I hear, and other times I agree.
When it comes to the criticism especially, I bear a certain point in mind. While authors have been writing Christian literature for centuries, the modern genre that we now call Christian Fiction (a marketing label) is still relatively young. It only started becoming a “thing” around the late 1970s, early ’80s. Anything young takes a while to mature, to get better with time, and as a bonus, it’s not unheard of for authors and publishers to go back and revise, reedit, and repackage—coming out with new and improved editions of previously published works.
Now, ChristFic isn’t the only genre I read, and I’ve spent years delving into classic works and other books that give me strong examples of command of language and storytelling mastery. It’s been my goal to take what I learn as a reader and to apply it to ChristFic as a writer.
No, I’m not claiming that I’ve become a literary master. Writers grow (or at least they should grow) and improve over time. Even now, I’m not the same writer, or the same person, I was back when I wrote my first novel, Yella’s Prayers, and my first historical fantasy book, The Movement of Crowns. (Oh, I still think the books were good back then, and more recent revisions have improved them.)
But I’m glad I’m here at this time in Christian Fiction, both as a reader and a writer. I do think that during earlier years in this young genre’s history, lots of Christian readers were simply happy to find wholesome novels with Christian content, with more choices available than, say, Grace Livingston Hill romances from the 1940s and earlier. That’s not at all a knock against GLH though, as I love old-fashioned books, I’ve enjoyed a number of GLH’s, and I respect her as the key pioneer of Christian romance novels.
Even so, it seems to me that in a general sense, during the modern ChristFic genre’s earlier stages of becoming a whole distinct market, excellence and virtuosity in the style and fine art of fiction writing itself wasn’t the goal so much as having stories that conveyed Christian (and oftentimes evangelistic/salvational) messages.
But now that the genre has been around a little longer, ChristFic authors and publishers are raising the bar, and ChristFic readers’ standards and preferences are shifting and expanding. Along with themes reflective of faith, ChristFic readers want more skillful and insightful storytelling. More subgenres to choose from. More varieties and levels of content. More diversity.
Moreover, while there’s a place for different levels of spiritual content in Christian Fiction, many ChristFic readers don’t necessarily want or need on-the-nose or “in your face” Gospel preaching, teaching, or evangelizing in the novels they read. Everybody has their own preferences, and Christian Fiction has been shifting from meaning only “fiction that is conspicuously Christian” to meaning “fiction that is suitable for Christians,” whatever the level of spiritual content may be, and also “fiction from a Christian worldview, suitable for broader audiences.”
(And yes, readers have different opinions about what should qualify a book to be Christian Fiction. But before you say, “If it doesn’t have explicitly Christian content, it can’t be Christian Fiction!”—remember that Christ Himself told fictional stories, and His stories didn’t have what we would call explicitly Christian content in them.)
As for me, I started writing and publishing ChristFic because I couldn’t find all the kinds of stories I wanted to read in the genre. I saw that Christian Fiction had room for growth, change, and diversity, and I wanted to help bring that to other ChristFic readers. (I also write for readers who don’t normally read ChristFic, as I think telling a good story can and should often transcend genre/market labels and other boxes. You know?)
The Christian Fiction genre is indeed changing. Sometimes change is hard and unsettling. It involves trial and error and learning, taking risks and seizing the day, and many times, change is necessary, healthy, and enriching. Back when I first curled up with novels like Oke’s Love Comes Softly and GLH’s Happiness Hill, I didn’t know I’d one day be reading ChristFic military and legal and political and techno thrillers, and ChristFic historical mysteries, and ChristFic psychological suspense, and ChristFic written by authors of color featuring main characters of color, and on it goes.
This relatively young genre isn’t what it was in the 1970s, and I’m looking forward to seeing it continue to mature, expand, and improve with time.