So! I was in a discussion at what has become one of my favorite blogs, Diversity Between the Pages. The latest chat posed a question, asking why ethnically diverse Christian Fiction is so important. I’ve blogged about this topic before, and I wanted to post my answer from last Saturday’s discussion here, slightly edited to make more sense as a standalone post. 🙂
Among other good reasons for publishing more diverse books, I don’t think Christian publishing would want to fall on the wrong side of history.
By that, I mean like Crusaders who murdered people in the name of Christ in medieval times. Or unscrupulous Church leaders who contributed to the need for the Protestant Reformation. Or preachers in the U.S. who condoned and pushed for American slavery over the pulpit. I know those examples may sound like extreme comparisons to fiction publishing, but I believe the principle is comparable. In super-simplified and understated terms, when we don’t value humanity as we should, the legacy we leave isn’t too pretty.
The Bible speaks of those from “every tribe and tongue and people and nation” who were redeemed by Christ (Revelation 5:9, NASB). I think it’s important for Christian Fiction to reflect that kind of diversity—especially now, at a critical time when there’s a struggle and a fight going on for the rights, the dignity, and the very lives of people of color. We wouldn’t want Christian publishing’s legacy to be, “At that critical time, we still shied away from publishing diverse books because it didn’t make sense to us, money wise,” or “We didn’t think it was essential,” or “We discussed it but couldn’t get our ducks in a row to make it happen.”
Now, I’m not saying that Christian publishing is deliberately devaluing humanity. Or that no one in Christian publishing sees the seriousness of the time we’re living in. But I do think it’s important to consider the picture we’re painting that people will look at, years down the road. Will the books we’ve published indeed reflect that we value all humanity? What will the lens of history reveal about what we’ve produced—and what we haven’t?
Even as I’m mentioning “the wrong side of history,” I don’t think Christian publishing has to come at this from a negative angle, producing from a place of what we don’t want to be, or just trying not to paint a bad picture. But literature is a huge part of any crucial point or movement in history. How positive and powerful a message it would send should Christian Fiction become more dynamically diverse now!
And when I talk about Christian publishing, yeah, I’m including myself. There’s so much more writing and publishing I need to do.