Hair Love (2019)

Film reviews are subjective. I tend to rate films not according to how “perfect” they are, seem to be, or are said to be in general but rather to how perfect they are to me.

Hair Love (2019) from Sony Pictures Animation
Rated G. Animated, African American, Family Film
Academy Award: Best Animated Short Film

My thoughts: It’s simple really, but a lot—and plenty relatable for so many of us. It’s an Oscar-winning short family film about a father facing the daunting task of doing his daughter’s hair. But the story is more than that, of course.

Refreshing and clever, amusing and adorable, touching and real, this picture is. It’s no small feat for a film to manage to be everything in fewer than seven minutes.

__________

Haven’t seen Hair Love yet? Take a look!

 

Akeelah and the Bee (2006)

Film reviews are subjective. I tend to rate films not according to how “perfect” they are, seem to be, or are said to be in general but rather to how perfect they are to me.

Akeelah and the Bee (2006) from Lionsgate
Rated PG. Drama, African American Actors, Family Film
My rating: ★★★1/2

Description (from the film case): Akeelah Anderson’s love for words leads her to enter a number of spelling contests. Tutored by many and opposed by some, Akeelah unwittingly unites a neighborhood in her daring quest to compete in the Scripps National Spelling Bee.

My thoughts: This movie is everything it means to be.

Granted, a good amount of the acting looks like acting. The level of corn is of little surprise, and the few instances of language got a brief eye-roll or two from me—for their corny deliveries if for nothing else.

But the story gets its inspirational job done. Friendship, family, community, hard work and determination, integrity in competition, hope, healing, second chances, and believing in oneself. All that.

An ultra feel-good underdog story that’s worth the watch.

___________

 

Marry Me for Christmas (2013)

Film reviews are subjective. I tend to rate films not according to how “perfect” they are, seem to be, or are said to be in general but rather to how perfect they are to me.

Marry Me for Christmas (2013) from Swirl Films
Rated G. Comedy, Romance, Christmas, African American Actors

My thoughts: It’s time to go home for the holidays, and Marci’s (Malinda Williams) family will have all their usual, nosy questions about her love life. So what’s this successful–and single–businesswoman supposed to do? Well, there’s always the possibility of finally bringing a fiancé home! Even if he happens to be a fake one.

Now this was a fun one to watch. I liked the story better than I liked some of the acting, though even that acting isn’t too bad, and I came to appreciate Marci more as the movie went on.

I can do my share of good ol’ Christmas corny, though some parts here move a bit past corny into contrived. But what I enjoyed most was that, even if some of the story’s developments are too “all of a sudden” in an underdeveloped kind of way, the movie has twists I didn’t expect in what could have easily been a more predictable holiday flick.

___________________

 

Guess Who’s Coming to Dinner (1967)

Film reviews are subjective. I tend to rate films not according to how “perfect” they are, seem to be, or are said to be in general but rather to how perfect they are to me.

Guess Who’s Coming to Dinner (1967) from Columbia Pictures
Not Rated. (Contains some mildly colorful language, some discussion of sex.) Drama, Comedy, African American Actors/Issues, Romance
2 Academy Awards, including Best Actress (Katharine Hepburn)

Description (from the film case): Crusading newspaper publisher Matt Drayton’s (Spencer Tracy) liberal principles are put to the test when his daughter, Joey (Katharine Houghton), announces her engagement to John Prentice (Sidney Poitier), an internationally renowned African-American physician. While Matt’s wife Christina (Katharine Hepburn) readily accepts Joey’s decision, Matt intends to withhold his consent…

My thoughts:  “We told her it was wrong to believe that the white people were somehow essentially superior to the black people… That’s what we said. And when we said it, we did not add, ‘But don’t ever fall in love with a colored man.'”

Oh, I’ve seen Katharine Hepburn in fine form before, but never like this. And Spencer Tracy is just excellent here. The fact that he and everyone else involved in the film knew that he was dying, and what that must have cost them, makes his performance even more excellent, from its humor to its poignancy. I can’t help but to think Matt’s final words about/to Christina are as much a message from Spencer to Katharine as anything.

Sidney Poitier does just enough to make you feel as uncomfortable as John feels, and whether or not you fully agree with John Wade Prentice, he commands respect. What courage it must have taken to make such a controversial film at this period in American history, the year before Dr. King’s assassination, and around the time when marriage between whites and non-whites was still illegal in several U.S. states. It’s an exploration of what you’ll do when you come face to face with your principles and theories, what you’ll do about what you said. Although most of the “arguments are so obvious that nobody has to make them,” the actors still make this relevant story resonate.

And the film is so positively ’60s! The music, the clothing, the hairdos, the funny-looking sets, the dancing! I wasn’t expecting either my laughter or my tears, but this film got some of both out of me.

Must watch it again.

______________________